S
Sophia
Guest
He sends his child to a private school -- no sense associating with the working class -- and has some trouble associating with them himself.
The New York Post reported on a tantrum he threw in London:
"Then, on his second-to-last night, [Michael Moore] raged against everyone connected with the Roundhouse and complained that he was being paid a measly $750 a night.
'He completely lost the plot,' a member of the stage crew told the London Evening Standard.
'He stormed around all day screaming at everyone, even the 5 pound-an-hour bar staff, telling them how we were all con men and useless.
Then he went on stage and did it in pub
ic.'
At his last appearance, staffers refused to work or even open the theater's doors." NY Post, Jan. 8, 2003.
http://www.mooreexposed.com/
Michael Moore is a paradox. A millionaire who boasts of wealth as proving his v
alue -- "I'm a millionaire, I'm a multi-millionaire. I'm filthy rich. You know why I'm a multi-millionaire? 'Cause multi-millions like what I do. That's pretty good, isn't it?"
He lives in a million-dollar apartment, and boasts of that as well. "I walk among them. I live on the island of Manhattan, a three-mile-wide strip of land that is luxury home and corporate suite to America's elite..... Those who run your life live in my neighborhood. I walk in the streets wi
th them each day" (Michael Moore, Stupid White Men, p. 51).
He sends his child to a private school -- no sense associating with the working class -- and has some trouble associating with the
m himself
. The New York Post reported on a tantrum he threw in London: "Then, on his second-to-last night, [Michael Moore] raged against everyone connected with the Roundhouse and complained that he was being paid a measly $750 a night. 'He completely lost the plot,' a member of the stage crew told the London Evening Standard. '
He stormed around all day screaming at everyone, even the 5 pound-an-hour bar staff, telling them how we were all con men and useless. Then he went on stage and did it in public.' At his last appearance, staffers refused to work or even open the theater's doors." NY Post, Jan. 8, 2003. :blink:
He supplements his meager income with speaking tours (No more $750 gigs; he charged Cornell students $10,000, , Univ. of Texas ones $25,000, told the Penn State ones he could b
e had for a mo
dest $15-20,000 a night, and most recently, when Kansas University students asked for him, "Moore -- a noted political activist and Academy Award-winning filmmaker -- had raised eyebrows by asking for more than $30,000 to speak at KU." Ah, the joys of capitalism....) No wonder one former associate of his rated him as " You would think that he's the ultimate common man. But he's money-obsessed."
And ....
His major themes are his status as the spokesman of the working class, the vices a
nd corruptions of the money-obsessed, and the evils of the United States.
It would
be easy to denounce Moore as a hypocrite. Many conservatives denounce him as a leftist, when in fact the serious left, the thinking left, generally finds him appalling. He is, in short, the latest
in the modern bree
d of Limosine Leftists -- individuals who, while personally they share the values of 19th century robber barons, find it flattering to adopt a thin (and personally meaningless) veneer of leftism as a pose, in the same manner they pick a flattering hair style or gown. (A left-leaning critic of Moore summed up the situation very nicely: Moore's appeal lies in his giving wealthy, over-educated, whites an opportunity to laugh at working-class whites.) <_<
But enough on Michael Moore as a person. Let's examine his output.
A consistent theme can be found throughout his work, and that is a theme of deception any time it i
s useful. Moore fixes upon a conclusion and, when the data do not
exist, simply invents them.
Bowling for Columbine
A look at Bowling for Columbine (my main analysis to date). In producing his Oscar-winner, Moore altered history, misled his viewers, and edited the footage and audio in such a way as to reverse the meaning. In one case, he took a speech of a person he desired to target; the problem was that the speech was in fact conciliatory and mild. So he spliced in footage from another speech, cut out paragraphs, and spliced the beginning of one sentence to the ending of another. In another, when he wanted to criticize a political advertisement, but it wasn't as pointed as he wanted, he spliced together two different political ads, then added titling which was in neither.
Stupid White Men
A short review o
f his perhaps autobiographical Stupid White Men. Here we learn such shocking things as -- 200,000 Americans are dying of Mad Cow Disease and no one knows it; Bush secretly stole the electi
on by having Florida bar convic
ted felons (which
Moore maintains were great Gore supporters) from voting; Nader did the Demos a big favor by running in 2000; Enron is a great investment. Okay, Mike.
Dude, Where's My Country?
Another of his books --Dude, Where's My Country, (page still under construction.) In this tome we learn "There is no terrorist threat," (p. 95) and Richard Nixon was the last liberal President, (p. 193). (Even more amusingly, in chapter 8 Moore pledges to contribute the limit to whichever Democrat has the best chance of winning (p. 162) and then in chapter 11 tells the reader that the Democrats are "professional losers," that "Democratic Party leaders have told me something they will not admit in public -- that they have basically written off 2004; that
they see little chance of defeating George W. Bush" (p. 204) and that they might as well run Oprah Winfrey. (p. 206).)
Farenheit 911
A page on Moore's planned Far
enheit 911 (in preparation).
Mu
sings on the Cult of Moore
A very deep question: Moore is unqu
estionably popular. Is this a clue as to an interesting but dangerous cultural/emotional development?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
YES ! TJB is contagious and spreading rapidly !
The emotional development of six year olds.
Wipe it out NOW ! :angry:
The New York Post reported on a tantrum he threw in London:
"Then, on his second-to-last night, [Michael Moore] raged against everyone connected with the Roundhouse and complained that he was being paid a measly $750 a night.
'He completely lost the plot,' a member of the stage crew told the London Evening Standard.
'He stormed around all day screaming at everyone, even the 5 pound-an-hour bar staff, telling them how we were all con men and useless.
Then he went on stage and did it in pub
ic.'
At his last appearance, staffers refused to work or even open the theater's doors." NY Post, Jan. 8, 2003.
http://www.mooreexposed.com/
Michael Moore is a paradox. A millionaire who boasts of wealth as proving his v
alue -- "I'm a millionaire, I'm a multi-millionaire. I'm filthy rich. You know why I'm a multi-millionaire? 'Cause multi-millions like what I do. That's pretty good, isn't it?"
He lives in a million-dollar apartment, and boasts of that as well. "I walk among them. I live on the island of Manhattan, a three-mile-wide strip of land that is luxury home and corporate suite to America's elite..... Those who run your life live in my neighborhood. I walk in the streets wi
th them each day" (Michael Moore, Stupid White Men, p. 51).
He sends his child to a private school -- no sense associating with the working class -- and has some trouble associating with the
m himself
. The New York Post reported on a tantrum he threw in London: "Then, on his second-to-last night, [Michael Moore] raged against everyone connected with the Roundhouse and complained that he was being paid a measly $750 a night. 'He completely lost the plot,' a member of the stage crew told the London Evening Standard. '
He stormed around all day screaming at everyone, even the 5 pound-an-hour bar staff, telling them how we were all con men and useless. Then he went on stage and did it in public.' At his last appearance, staffers refused to work or even open the theater's doors." NY Post, Jan. 8, 2003. :blink:
He supplements his meager income with speaking tours (No more $750 gigs; he charged Cornell students $10,000, , Univ. of Texas ones $25,000, told the Penn State ones he could b
e had for a mo
dest $15-20,000 a night, and most recently, when Kansas University students asked for him, "Moore -- a noted political activist and Academy Award-winning filmmaker -- had raised eyebrows by asking for more than $30,000 to speak at KU." Ah, the joys of capitalism....) No wonder one former associate of his rated him as " You would think that he's the ultimate common man. But he's money-obsessed."
And ....
His major themes are his status as the spokesman of the working class, the vices a
nd corruptions of the money-obsessed, and the evils of the United States.
It would
be easy to denounce Moore as a hypocrite. Many conservatives denounce him as a leftist, when in fact the serious left, the thinking left, generally finds him appalling. He is, in short, the latest
in the modern bree
d of Limosine Leftists -- individuals who, while personally they share the values of 19th century robber barons, find it flattering to adopt a thin (and personally meaningless) veneer of leftism as a pose, in the same manner they pick a flattering hair style or gown. (A left-leaning critic of Moore summed up the situation very nicely: Moore's appeal lies in his giving wealthy, over-educated, whites an opportunity to laugh at working-class whites.) <_<
But enough on Michael Moore as a person. Let's examine his output.
A consistent theme can be found throughout his work, and that is a theme of deception any time it i
s useful. Moore fixes upon a conclusion and, when the data do not
exist, simply invents them.
Bowling for Columbine
A look at Bowling for Columbine (my main analysis to date). In producing his Oscar-winner, Moore altered history, misled his viewers, and edited the footage and audio in such a way as to reverse the meaning. In one case, he took a speech of a person he desired to target; the problem was that the speech was in fact conciliatory and mild. So he spliced in footage from another speech, cut out paragraphs, and spliced the beginning of one sentence to the ending of another. In another, when he wanted to criticize a political advertisement, but it wasn't as pointed as he wanted, he spliced together two different political ads, then added titling which was in neither.
Stupid White Men
A short review o
f his perhaps autobiographical Stupid White Men. Here we learn such shocking things as -- 200,000 Americans are dying of Mad Cow Disease and no one knows it; Bush secretly stole the electi
on by having Florida bar convic
ted felons (which
Moore maintains were great Gore supporters) from voting; Nader did the Demos a big favor by running in 2000; Enron is a great investment. Okay, Mike.
Dude, Where's My Country?
Another of his books --Dude, Where's My Country, (page still under construction.) In this tome we learn "There is no terrorist threat," (p. 95) and Richard Nixon was the last liberal President, (p. 193). (Even more amusingly, in chapter 8 Moore pledges to contribute the limit to whichever Democrat has the best chance of winning (p. 162) and then in chapter 11 tells the reader that the Democrats are "professional losers," that "Democratic Party leaders have told me something they will not admit in public -- that they have basically written off 2004; that
they see little chance of defeating George W. Bush" (p. 204) and that they might as well run Oprah Winfrey. (p. 206).)
Farenheit 911
A page on Moore's planned Far
enheit 911 (in preparation).
Mu
sings on the Cult of Moore
A very deep question: Moore is unqu
estionably popular. Is this a clue as to an interesting but dangerous cultural/emotional development?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
YES ! TJB is contagious and spreading rapidly !
The emotional development of six year olds.
Wipe it out NOW ! :angry: